Rare antique Caucasian Kazak tribal rug from approximately 1870, from the Lori tribes of Panpak. In excellent condition, with warm and vivid mineral and vegetal colors. Original pile and colors preserved. Monumental, almost heraldic appearance. Large octagonal medallions, typical of its origin. (For a similar rug - Eder Aschenbrenner, Oriental Carpets, n.8). Measures cm 230 x 135.
Expert technical details of the work:
Tribal Caucasian Kazak rug, ca. 1870, probable subgroup Karachopf or perhaps Bordjalou
Origin: Caucasus region (probably Kazak), southwestern area.
Period: 19th Century, around 1870
Dimensions: 230 x 135 cm
Technique: Knotted by hand, of course. The structure shows symmetrical knots, typical of Caucasian rugs and specifically of Kazaks. The weft appears thick and irregular, made of wool. This is also a distinctive feature of 19th-century Caucasian carpets. The knot density appears relatively low but compact, which is consistent with ancient Kazaks, known for their robustness. Warp: wool Weft: wool Pile: hand-spun wool, dyed with strictly natural pigments
General Description: Tribal Caucasian rug of exceptional graphic and symbolic strength, characterized by three large octagonal medallions arranged along the central axis. The dark blue main field is punctuated by eight-petaled floral rosettes, surrounded by an outer frame with geometric zigzag and "ram's horn" motifs.
Colors: The colors appear slightly irregular, confirming the use of natural (vegetable or mineral), non-chemical dyes, confirming the dating around 1870. Brick red: symbol of strength and vitality Dark blue: symbol of protection, spirituality Ivory: symbol of light and purity Ochre yellow: symbol of prosperity
Interpretation of Symbolism
Octagonal medallions: symbols of totality, protection, continuity. Between the medallions are small rosette flowers, another decorative element typical of Caucasian rugs, often used as a filler between the main motifs. The octagon is an ancient symbol of protection and totality. In Caucasian rugs, it also recalls the architecture of defensive towers and the breastplates of warriors. The three aligned medallions represent balance and stability. They may also allude to a path, a life cycle, or spiritual continuity.
Eight-petaled rosettes: Rosette floral motifs (between the medallions and in the blue field) These small geometric eight-petaled flowers symbolize fertility, regeneration, vitality, and good fortune. The number eight is associated with infinity and good luck in the tribal world.
Border with "ram's horn" motifs – The borders feature recurring geometric motifs, reminiscent of the stylized horns of a ram, a symbol of strength and fertility in Caucasian traditions.
Hooks/Zig-zags: barriers against evil, magic boundary
Condition: Excellent condition. Normal wear and tear consistent with age, substantially well-preserved pile and stable colors. No significant or invasive restoration.
Notes: Highly collectible textile artwork for its rare design and original structure. The rug is not only a decorative object but a carrier of tribal symbols related to protection, the cyclical nature of life, and vital force.
Recommendations: Store in a dry environment away from direct sunlight. Possible museum display with neutral support and UV protection.
In accordance with the provisions of the New Code of Cultural Heritage, the selling company provides, at the time of sale, detailed written photographic guarantee of originality and provenance of the works sold. The data with which the works are described and then contained in the written guarantees are expressed determinations resulting from accurate and documented technical/historical/artistic investigations, including expert assessments.