Carved and gilded wooden mirror; garlands and floral wreaths alternate with smooth and shaped cartouches on a rectangular frame. The structure is refined by a rich decoration of volutes and openwork that detach from the contour line, embracing curls, leaves and buds. The cyma, designed with a large rocaille, ends with a finely engraved mirror with a floral motif.
VENICE LOUIS XV FIRST HALF OF THE 18TH CENTURY (1750)
