Isaac De Moucheron

Architectural Capriccio with figures, Isaac De Moucheron (Amsterdam 1667/70-1744) Oil on canvas. Dimensions: with frame H 134 x W 175 cm Price: confidential negotiation Object accompanied by a certificate of authenticity The painting is a significant example of an architectural capriccio (i.e., imaginative and fantasy architectures or parts thereof) set in the Roman surroundings, where sumptuous architectures (with arches, columns, capitals, and balustrades) of classical inspiration, modified by Baroque elements, stand out in the foreground, and in turn are surrounded by an imposing ancient aqueduct in partial ruin which, gradually fading into the background, gives the painting an ensemble of effective depth. In detail, the composition represents a large space, in front of and bordered by the imposing structures, where some aristocratic figures engage in pleasant conversation in a serene and relaxed context of normal daily life (see the two noblewomen with a poodle). There are subjects of more humble social extraction, engaged in material occupations. A large drape is suspended between the columns, almost creating a more private space for the refreshment of noble visitors. The architectures are outlined with skill and undoubted knowledge of perspective; the light that radiates between the arches and columns determines effective chiaroscuro effects. The chromatic palette favors light tones with dense but at the same time fluid and delicate brushstrokes on a surface made uniform by a careful preparation of the background. The figures are rendered naturally, refined even in the details, such as the delicate texture of the lace and trimmings of the noblewomen. The work is attributed to Isaac De Moucheron (Amsterdam 1667/70-1744), a painter, engraver, and architect, Dutch by birth but from a family of French origin. The artist specialized in views and landscapes often characterized by complex classical and Baroque architectures, created on the models drawn during his youthful stay in Rome and set in a naturalistic context with an Arcadian tendency characterized by intense luminosity and refined colorism on the example of his contemporary and compatriot Gaspar Van Wittel and the Frenchman Gaspar Dughet. The stylistic comparison with other signed paintings by the author allows us to refer the painting to De Moucheron, placing the painting in the author's period of maturity, when the artist develops a specific originality in the mannerist character of the landscape, typical of the dominant romantic naturalism. The work is accompanied by an authenticity certificate from Cesare Lampronti.